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WOOD, CONCRETE, GYPSUM

THE HIGHPOINT - ART GALLERY

The modern approach to art gallery design has been to conceive of the room itself as a neutral canvas: the room presents the art without imposing itself on the art.

This stripped-down approach yields spaces composed of large, flat, angular, hard surfaces that enhance viewing but often create a harsh sonic experience.

Being sensitive to the concept of the “room as canvas,” our approach at The Highpoint was to leverage the acoustic influence of common building materials – exposed wood structure, tilted gypsum board walls, mechanical ducts, and subtle floor variations. This allowed us to maintain a neutral visual aesthetic while minimizing the need for applied absorption.

Location Richmond, VA

Clients David Morrison and Claire Accardo

Architects
510 Architects

Photography
Mindie Ballard

WOOD, CONCRETE, GYPSUM

Highpoint Gallery owners David Morrison and Claire Accardo envisioned a space where the gallery's architectural elements could naturally shape its sonic environment. Rather than default to the application of traditional acoustic panels, they were open to exploring how their desired design of the room could also achieve their desired acoustic profile. 

Our minimalist acoustic design centered on two architectural interventions.

Angular Wall Design 
The shoebox shape of the room, which would otherwise create problematic reflections across the width of the space, was modified with a shingle-like pattern to better diffuse sound.

Basic outline of the Highpoint in Richmond, VA

In addition to providing sectioned viewing surfaces for hung art, the shingles operate as an acoustic system, consisting of four interacting components providing a blend of absorption and diffusion.  

  • The long end of the shingle is a hard reflective surface that diffuses sound on an angle throughout the room. 

  • The corners of the shingles are rounded, to diffuse sound on a radius.

  • The short end of the shingle is “acoustically transparent” allowing sound to pass through it. 

  • Behind each shingle is an absorptive insulation.

Acoustic system built into the wall at the Highpoint

Exposed Wood Ceiling
The roof structure was deliberately left exposed. The wooden beams were sandblasted to enhance their natural porosity. By leaving the wood unsealed, we maximized its acoustic absorption properties.

Exposed wood ceiling at the Highpoint, Richmond VA

The ceiling works in concert with the glossy floor, which is untreated and highly reflective. 

The floor of the Highpoint was left untouched.

Because sound waves are large, there is a limit to how absorptive the porosity of sand-blasted wood can be. This intervention alone would not have been enough to bring about the desired result. The gallery retains more reverberation than typical standards might suggest, but this aligned with Morrison’s and Accardo’s vision for creating an immersive acoustic feel. Understood as one element within a system of acoustic interventions, it proves effective. 

The result is successful. The space achieved its acoustic goals without requiring additional acoustic treatment and the room preserves its look as a repurposed space in Richmond’s historic district. It offers a flexible environment suitable for presenting a variety of art installs, and also provides a unique and immersive acoustic experience conducive to openings, gatherings, or quiet viewing.

A full acoustic plan for the Highpoint
Click to hear Zackery Belanger on the Life with Strings Attached Podcast
Click here to listen to Zackery Belanger discuss The Highpoint on the Life with Strings Attached Podcast